Unglazed stoneware, wood-fired twice a year

Clay dug from the hills, fired once, and left as the fire made it.

Bare pots for the table and the tokonoma, fired once in the anagama above Ōhara and sold only at our kiln openings, and here in the weeks after.

Next opening: autumn 2026The doors open in 45 days

When

Saturday 24 and Sunday 25 October 2026

Hours

10:00 to 17:00, last entry 16:30

Where

The studio, Jōdoji Baba-chō 12, Sakyō-ku

Entry

Free. The first hour is by reservation, forty places each day

The autumn shelves

What comes out of the kiln

Around 380 pieces go in. About 260 come out sound. No two are alike, so what you see here is the type, not the piece: you choose your own at the opening, or from what remains afterwards.

Prices include tax. Pieces bought after the opening are posted within Japan for a flat ¥1,200; international post is quoted by weight. We keep about a third of every firing back for exhibitions and for our own table, and we do not take orders for specific pieces before a kiln is opened.

The kiln

Five days of fire, twice a year.

The anagama at Ōhara is a single-chamber tunnel kiln built into the slope in 2016. We stoke it with red pine for about 110 hours, then leave it sealed for a week to cool. Nothing is glazed: the colour is ash from the fire settling on bare clay, and the side of a pot that faced the flame will never match the side that did not.

110hours of stoking, in shifts of four
1,300degrees at the front of the chamber
380pieces loaded, front to back, in firing order
2firings a year: one in early spring, one in early autumn

Clay bodies

Three clays, no glaze.

A glaze is a decision made before the fire. We would rather let the fire decide.

Mio Tanabe, on why the studio stopped glazing in 2019

Mio Tanabe

Potter, founder

Trained at the prefectural ceramics school in Kiyomizu and apprenticed for six years in Shigaraki before opening the Jōdoji studio in 2014. Throws every piece that goes into the kiln, and rejects more of them than she keeps.

Kenji Arai

Kiln, wood, accounts

Built the Ōhara anagama by hand over two summers with a borrowed excavator and a great deal of advice. Splits and stacks the pine a year ahead, runs the firing schedule, and keeps the studio cat, Sumi, fed.

Visit

The studio is open three days a week, and the kiln two days a year.

  • AddressJōdoji Baba-chō 12, Sakyō-ku, Kyoto 606-8404
    Two streets east of the canal, a white gate with a persimmon tree
  • HoursThursday to Saturday, 11:00 to 17:00, by appointment
    Opening weekends: 10:00 to 17:00, no appointment needed
  • Getting hereFrom Keage station, twenty minutes on foot north along the canal. From Kyoto station, city bus 5 to the Jōdoji stop, then four minutes uphill.
  • Writestudio@shirakawa-kiln.jp
    We answer within two days, in Japanese or English

Journal

Notes from the studio and the slope.

Kiln letters

One letter before each opening. Nothing in between.

Two letters a year. Each lists what is on the shelves before the doors open, and how to reserve the first hour.